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Impressions That Remained

from The Archaeology of Knowledge by Ivodne Galatea

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This is another oratorio form piece, with the ripieno being variously the Pauli bass mbira and the pianet, and coloration by an Arturia SEMV and e-bowed and glissandoed taro patch. Some of the responses by prepared electric taro patch. Some of the Pianet is directly miked to emphasise the percussive nature, which is why it sounds like someone is rolling dice.

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from The Archaeology of Knowledge, released October 14, 2013
IG: Wild Marimbas stereo electric bass mbira, Hohner Guitaret, Hohner Pianet-T, Arturia SEMV
NG - e-bowed, glissando and prepared taro patch

Thanks to the generous Freesound users for these field recordings
bpayri - recordings made at midnight in the Jardín del Turia (Turia Garden) in Valencia (195214, 195215, 195216, 195217)
ZuluT – songs of birds on the river (71176)
Naturenutt - waterfall-and-birds (99898)

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Ivodne Galatea Nedlands, Australia

Principally playing original compositions of an ambient nature on the Hohner Guitaret as well as other thumb pianos/finger harps/lamellophones.
Interested in orchestration using field recordings, per the great John Cage's suggestions (1937).
The pieces are all pataphysical book reviews. They consist of musical essays on books of the same title that haven't been written, but should have. ... more

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