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The Serendipity Machine

from The Archaeology of Knowledge by Ivodne Galatea

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An experiment in using a looper to make three voices, as in the three registers in the Mbira Dza Vadzimu. The loops were created with sitting still in between, which makes for a certain agreeable hesitancy in conversation, like three tunes each waiting for the other to go first through a doorway.

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from The Archaeology of Knowledge, released October 14, 2013
IG: Guitaret, Stereo Electric Bass Mbira; recording of my back garden (the turtledoves)

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Ivodne Galatea Nedlands, Australia

Principally playing original compositions of an ambient nature on the Hohner Guitaret as well as other thumb pianos/finger harps/lamellophones.
Interested in orchestration using field recordings, per the great John Cage's suggestions (1937).
The pieces are all pataphysical book reviews. They consist of musical essays on books of the same title that haven't been written, but should have.
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